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Este micrófono suena de maravilla para voces e instrumentos acústicos, por algo lo tienen en los mejores estudios de grabación del mundo. A mi personalmente me gusta mas que el U87 de Neumann que cuesta tres veces mas. Lo recomiendo para instrumentistas y cantantes de todo genero.
I own many mics and they all have their own characteristics. The standout characteristic of this microphone is it's very low self-noise. At 50dB gain, in my "quiet" room, on a very quiet Liquid Channel preamp, I register ~ -110dBFS across the spectrum. This is sensational for my recordings of quiet sound effects and acoustic guitar.
Particularly with an acoustic guitar, paired with a small diaphragm condenser mic, the sound is just beautiful. Quiet picking or a strum sustaining never gets caught up in the noise floor. I can crank the track all the way up in post and never hear more than room noise.
Vocals are great on this mic, both speaking and singing. I do adjust EQ a bit in post to boost some of the high end, but it works out fine. It handles loud and quiet segments beautifully without distortion or large swings in volume. Some of my mics require much more adjustment of the singers distance during recording than this mic. And since the noise floor is so low, I can compress my tracks much better.
It is expensive but it is a tough-built, all around mic with exceptional audio quality. Think of the price as relating to a lifetime of use, especially if you plan to make money recording with it. It will work so well for you, put up with abuse, and resell for a good price.
It is solidly built and I appreciate its flexibility of recording fields and sensitivities. It will only pick up what is directly in front of it and close for voice over work or it will pick up the whole room and cars whooshing by outside if you set it up that way, or anything between those extremes. I don’t find it either warm nor cool. I bought it to record bells of different types. Accurate placement will catch the range of overtones but takes some work.